скульптура и дизайн
 Макс Клингер. Никола Першайд. Фотографический портрет Макса Клингера, 1913.jpg)
Max Klinger was a German painter, graphic artist and sculptor and a symbolist.
Käthe Kollwitz (born as Schmidt) was a German artist who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman not only to be elected to the Prussian Academy of Arts but also to receive honorary professor status.
Adrien Étienne Gaudez was a 19th century French sculptor. He studied sculpture under François Joffroy at the Ecole des Beaux-Arts in Paris.
Adrien Étienne Gaudez is known for his monumental figures cast in bronze.
Robert Eduard Henze was a German sculptor. He studied at the Dresden Academy of Art under Ernst Ritschel and after his death under Johannes Schilling and Ernst Henel.
Robert Eduard Henze created many sculptures, including portraits, allegorical and religious compositions.
André-Joseph Allar was a French sculptor. He studied at the Schools of Fine Arts in Marseille and Paris with Eugène Guillaume, Antoine Laurent Dantan and Pierre-Jules Cavelier.
André-Joseph Allar is best known for his small works and architectural projects.
Ferdinand Liebermann was a German sculptor.
Liebermann studied sculpture at the School of Arts and Crafts and at the Academy in Munich with Heinrich Wadere. After additional studies in Rome and Paris, he opened his studio in Munich in 1910 and was awarded the Grand Austrian State Medal in gold for a small bronze the same year. In 1926 he became professor of monumental and portrait sculpture in Munich.
Ferdinand Liebermann's works include numerous sculptures of buildings, monuments and fountains, and he was also one of the most important figure designers for the Rosenthal manufactory.
Hermann Joachim Heinrich Pagels was a German sculptor. He studied at the Academy of Fine Arts in Berlin from 1894 to 1900.
In 1911, Hermann Joachim Heinrich Pagels designed a porcelain portrait statuette of Prince Wilhelm of Prussia.
During National Socialism, Pagels became famous for his busts of Adolf Hitler and other Nazis.
Rudolf Alexander Agricola was a German sculptor. In the 1930s he studied with Gerhard Marcks in Halle and in Stedel with Richard Scheibe. In 1937 he followed Richard Scheibe to Berlin as a graduate student. He worked there until the end of the Second World War and received several awards.
Rudolf Agricola is known for his bronze sculptures with full figures and nudes. His work was influenced by Georg Kolbe and Aristide Maillol.
Rudolf Kaesbach was a German sculptor.
Rudolf Kaesbach studied at the academies of Hanau (drawing), Paris (foundry) and Brussels. In Düsseldorf he ran a workshop in which he cast his own models.
After 1904, Rudolf Kesbach presented a series of life-size marble figures to the public at exhibitions in Berlin, Düsseldorf and Malmö. Later he devoted himself increasingly to the depiction of nude women. Much of his work took him beyond Art Nouveau to Art Deco.
In 1939, 1940, 1941 and 1943, Kiesbach exhibited his sculptures at the Great German Art Exhibitions in Munich. These exhibitions were representative under National Socialism.
Georg Mattes was a German sculptor. His work can be found in many Munich churches, schools, hospitals and museums.
Georg Mattes was professor of sculpture at the Munich Academy of Arts.
Karl Peter Hugo Siegwart was a Swiss sculptor and medallist. He studied at the Academy of Fine Arts in Munich with Max von Widnmann and in Paris at the Académie Julian with Henri Chapu.
Hugo Siegwart's work extended to monumental sculptures, portrait busts, small sculptures and building reliefs, while striving for the most accurate and realistic reproduction of nature.
Hugo Lederer was a German sculptor and medallist. He lived and worked in Berlin during the reign of Kaiser Wilhelm II and the first German democracy. His most famous work is the monumental monument to Bismarck in Hamburg (1902-1906).
Hugo Lederer always stood on the side of upper-class modernism and opposed the anti-bourgeois left-wing or popular art scene. Initially he was still following Reinhold Begas and his neo-Baroque style, the Gründerzeit art movement favoured by Kaiser Wilhelm II and despised by many intellectuals of the time.
Hans Guradze was a German sculptor and graphic artist with Georgian roots. Hans Guradze often used Russian motives in his bronze sculptures. He also sculpted animals with passion, mainly horses.
Rudolf Marcuse was a German sculptor of Jewish ancestry. Most of his works were relatively small, and many were designed for porcelain.
Rudolf Kaesbach was a German sculptor.
Rudolf Kaesbach studied at the academies of Hanau (drawing), Paris (foundry) and Brussels. In Düsseldorf he ran a workshop in which he cast his own models.
After 1904, Rudolf Kesbach presented a series of life-size marble figures to the public at exhibitions in Berlin, Düsseldorf and Malmö. Later he devoted himself increasingly to the depiction of nude women. Much of his work took him beyond Art Nouveau to Art Deco.
In 1939, 1940, 1941 and 1943, Kiesbach exhibited his sculptures at the Great German Art Exhibitions in Munich. These exhibitions were representative under National Socialism.